900 Days.

Yep, it's true - Saturday marked the 900th day of my Thousand Days Project. Since January 1st, 2010, I've drawn/painted every single day, without fail. That seemed like an almost-ridiculous goal at one point, but the end is definitely in sight now.

I didn't do anything special for Day 800, because I was well into Birthday Shenanigans Week. Day 700 was the 1st of December, and in addition to chipping away at the numerous paintings I was doing at the time, I drew a quick headshot of a beautiful blonde.

So with all that in mind, I figured that Day 900 needed something out of the ordinary -  not a metalflake painting, not a dinosaur, not a sketchbook diary piece. But what?

Meanwhile, one particular illustration of mine has lain dormant for a long time - since September 15th of 2011, to be exact. This has been a long-gestating piece. I first started it in the fall of 2010, but it kept getting set aside in favour of other projects.

The first rough iteration of it looked something like this:

As time went by I slowly got closer to finishing it. In mid-September I did the blueline pencils:

This was scanned and imported into my Photoshop document, and the base illustration was set aside on my bar, waiting for me to do the final linework in ink. Anybody who's had a drink at my place since then has seen it sitting there, though oddly enough, I don't recall anybody ever asking about it.

I posted an in-progress picture online the night of the 15th, and walked off to a date with destiny. My whole world changed that night, and definitely without warning. Another story for my memoirs, I guess.

And I've seen that illustration almost daily since the fateful night, till it got to the point where it was just part of the furniture.

Until I was finally ready to finish it.

So without further ado (or cryptic remarks), here it is, the fruits of my labour of Day 900/1000:

Bret Taylor
Vancouver, BC

Dinosaur-a-Day Project, Day 14/29.

Protoceratops:

Dinosaur-a-Day Project, Day 13/29.

Okay, now that the Metal Flake Remix show is out of the way, it's time for...

... more dinosaurs. Spinosaurus:

(Another one I first saw in the Extreme Dinosaurs exhibit.)

Metal Flake Remix - The Shocking True Story.

Well. As I write this it's late Monday night. It's been a pretty mellow day - slept in late, couldn't really get focused on anything, though I did still get a lot done. Yesterday was a hangover day, though more in the spiritual/mental sense than the physical sense.

But Saturday? Ah, Saturday. That was a fine, fine day.

As you obviously know from previous posts, Saturday was the night of my latest show, Metal Flake Remix. We had a great turnout, and I met lots of new people, which is definitely one of the best perks of being an artist. And I sold lots of art, drank some delicious bourbon, and created six new paintings:

After the show, I sat up with a handful of close friends all night talking (okay, and occasionally drinking). By Sunday afternoon it felt like the day after the prom - I was tired and burned out, but very happy. And it felt like I'd taken a huge step in my life.

I definitely want to try live art again. What an amazing experience - I was nervous as hell about trying it, but once I got started I couldn't have stopped if I tried. The music, the momentum, the amazing people watching, all combined to give me one hell of a kick in the ass. I know I have a lot to learn about this, of course - how to draw the audience in more, how to control the pace a little better, how not to blaze through all the work in just 20 minutes. But I'll get there, with practice.

Some of my favourite moments - Kelly winning the painting we drew for, finally meeting some longtime Twitter friends face-to-face, putting the big blue handprint everywhere, tequila shots, having friends from the bad old days in Charlottetown on hand...

Plans are already afoot for upcoming shows, too. The Dino Show is tentatively scheduled for September, and I wouldn't mind incorporating some live art into that as well. Closing Time is still a going concern, too (I'd really like to take my time and think that one through, though). And then there's For a Dancer - those six paintings could conceivably be finished by early August. Not sure yet what will happen there, but it'd be nice to have a one-night mini-exhibit in a restaurant.

I certainly don't want to oversaturate the market, so to speak. Fortunately my agent/marketing manager is passing on a ton of great advice in that regard, and in others as well.

So without further ado, some people I really need to thank: my family, John Watson and Imagemaker Photographic Studio, Kate MacDonald, Alex Stewart, Cosca Restaurant, the Après-midi Teahouse, Bailey Hunter, Lindsay Bayne, Derek Bolen and Karm from VanCity Buzz, Abbey Jackson, Kelle Belle, Dale Deruiter, Karina Halle and Team EiT, Corinna and Adam Carlson, Lola Frost, Lori Kittelberg, George Smeltzer, Samantha K, Matty Sadorf, Ned Tobin, Jonny Warkentin, Scott Graham, Oddball Workshop, Annie Friesen and Dottie's Buttons, Jamie Lee Purgavie, Nicola Proctor, Cynthia Griffiths, John Lee, Ceci Graber, Andrea Waters, Geoff Gauthier, Steve Goodman, Mike Watson, Johnny B, Novo Pizzeria, MCNG Marketing, Felice Lam, Cathy Browne, Anthony Wittrock, David Dreger, Amanda West...

... and of course, in the Without-Whom Department: Tess McCann.

(Photo by Lindsay Bayne. All other photos courtesy of Cynthia Griffiths.)

Metal Flake Remix - a Photo Retrospective.

So my latest show has come and gone. I'll do a more indepth post in the next couple days, but for now I'll just show you a few choice moments.

The day started with mimosas and grilled cheese for the Lovely Assistant and I:

(Go Habs!)

Once we got to the studio, we got all the necessary supplies ready:

Along one wall I showed the evolution of the Metal Flake series.

Of particular interest to many people were the seahorse and "For a Dancer" paintings, but those were already spoken for:

All too soon, we got to the live-art portion of the show:

(As you can see, painting is thirsty work.)

 

The live-painting portion of the show over with, it was time for some social activity:

Photos courtesy of Corinna Carlson, Cynthia Griffiths, Ian A. Martin, Jocelyn Aspa, Lola Frost, Lyndsay Bayne, Scott Graham, Steve Goodman, and the incomparable Tess McCann.

Thank you, everybody.

No Need to Be Koi, Roy.

Greetings and salutations. The big day approaches, all too rapidly. I'm slowly getting things together, but the usual pre-show stress (and accompanying insomnia) have already started.

Fortunately, painting takes the edge off, so it's good I still have new metalflake pieces in the works. Just finished this one today:

I may do a dragon on a blue background next.

I'm aiming for 24 paintings (and 3 prints) for sale, plus another 4 on display.

And before I know it, it'll be Friday and I'll be painting live in front of a crowd. No pressure...

Thoughts on the Remix Show

Two weeks from tonight, as you may already know, I'm putting on a new art show. The title is Metal Flake Remix, and as the title suggests, it'll rework visual elements from the original Metal Flake show last fall.

The key difference is, this show will be mainly about live art. I'll be whipping up a new series of paintings on the spot, in front of an audience. I'm aiming for six paintings of various sizes, done mainly with spraypaint and stencils - stencils based on the white lineart designs I used on the original series. I'm as curious as anybody to see how all that will turn out.

There'll also be several new metalflake paintings available. And I'll have a handful of older pieces for sale, as I'm trying to clear some of the clutter out of my studio and move forward with my art..

Further to that, if you're planning to attend, bring a business card for the fishbowl - we'll be holding a draw to give away one of the paintings.

The show will be in the same venue as January's art sale: Imagemaker Photographic Studio (210-2075 Yukon Street at 4th).

Doors will open at 6:00PM, and the paint will start to fly around 7:00. Hope you can make it.